Best British Short Stories 2024 edited by Nicholas Royle

Salt Press has recently published Best British Short Stories 2024, edited by Nicholas Royle. It features stories by Alan Beard, Kevin Boniface, Paul Brownsey, Claire Carroll, ECM Cheung, Jonathan Coe, Rosie Garland, Kerry Hadley-Pryce, Timothy Jarvis, Cynan Jones, Bhanu Kapil, Sonya Moor, Alison Moore, Gregory Norminton, Nicholas Royle, Cherise Saywell, Kamila Shamsie, Ben Tufnell, Charlotte Turnbull and Cate West.

 

Reading Alice Munro’s Breakthrough Books: A Suite in Four Voices, by J.R (Tim) Struthers, Ailsa Cox, Corrine Bigot, and Catherine Sheldrick Ross

Edinburgh University Press releases Reading Alice Munro’s Breakthrough Books: A Suite in Four Voices, by J.R (Tim) Struthers, Ailsa Cox, Corrine Bigot, and Catherine Sheldrick Ross – an engaging and authoritative assessment of the middle period in the career of Alice Munro, and an exciting new model for how criticism can be collectively written.

The South African Short Story in English, 1920–2010: When Aesthetics Meets Ethics, by Marta Fossati

The South African Short Story in English, 19202010: When Aesthetics Meets Ethics, by Marta Fossati

Oxford University Press, 2024, pp. 289. ISBN: 9780198910978

This book explores – through a close reading and several deep dives into the history of print culture – the development of the South African short story in English, from the late 1920s to the first decade of the new millennium. It explores a selection of short stories by Black South African writers – Rolfes and Herbert Dhlomo, Peter Abrahams, Can Themba, Alex La Guma, Mtutuzeli Matshoba, Ahmed Essop and Zoë Wicomb – with particular focus on the dialogue between ethics and aesthetics performed by these texts with regard to the evolution of South Africa’s socio-political situation.

By focusing on Black short fiction, this book problematizes and complicates the often-polarized readings of Black literature in South Africa, torn between the notions of literariness, protest and journalism. Owing to material constraints, short fiction in South Africa primarily circulated first through local print media, which this study analyses in detail, with a focus on the cross-fertilization between journalism and the short story. While rooted in the South African context, this book is also alert to the translocal dimension of the short stories considered, exploring the ethical and aesthetical practice of intertextuality. It is thus also a book that complicates the aesthetics/ethics binary, generic classifications, and the categories of the literary and the political.

 

 

Precipitation, by Ailsa Cox, with images by Patricia Farrell

Precipitation is a collection of three stories by Ailsa Cox, two of which are published for the first time. It also features images created by the artist Patricia Farrell in response to the stories. The book is the fifth in a series of collaborations between writers and artists – the first, Interpolated Stories by David Rose and Leah Leaf, was published in 2022.

Set mostly in North West England, with excursions to Wales, Paris and the Arabian desert, these stories map the inner and outer world of their characters, excavating layers of time and memory. Two of the stories take place on the fictional street of Bethel Brow, where a grandmother nurses a long-held grievance, while two young incomers live the dream of a house in the country. In the third, the thwarted ambitions of a disappointed novelist take him on an imaginary journey.

Sharply observed and often darkly comic, they hinge upon those small moments that can change your life for ever – a missed train, a turn in the weather, or a puzzling encounter with a neighbour.

Publication: 9 January 2025 | Pre-order: Confingo Publishing | Manchester Book Publisher.