Short Fiction in Theory and Practice 7.2 and 8.1 & 2 are all available now.  7.2 is a special issue on ‘Haunting in the Short Story’, with articles from the conference held at the University of Angers in 2015.  The double issue 8. 1 & 2 contains articles from the ENSFR annual conference held at Edge Hill in 2016 on the theme ‘”Child of the Century”: Reading and Writing Short Fiction Across Media.  It also contains an exclusive translation by Lyn Marven of a story by German writer Roman Ehrlich, and an interview with him by Lyn Marven and Andrew Plowright. 9.1, a general issue, isRead More →

Protest Europe Award-winning British publishing house Comma Press, in partnership with the University of Angers, is looking to build link with other publishers, festivals and universities across Europe to partner with on an international collaboration project designed to re-engage readers and writers with people’s history and shared, common cultural heritage through a series of commissions focusing on the history of European protest. Exploring the links between different protest movements across Europe, these commissions will bring together publishers, writers, historians, activists, translators, researchers and universities to collaborate on the creation of a series of short stories, semi-fictionalising this history in a way which shows shared goals,Read More →

Call for Papers is now open for “Short Fiction as Humble Fiction“, a conference organised by EMMA (Etudes Montpelliéraines du Monde Anglophone) with ENSFR (European Network for Short Fiction Research) on 17-18-19 October 2019 at Université Paul-Valéry Montpellier3, France. Keynote speakers: Elke D’hoker (K.U. Leuven, Belgium) and Ann-Marie Einhaus (Northumbria University, UK)   The title of this conference may sound like a provocative statement. It may suggest a definition of the genre as a minor one, as has too often been the case in the history of the short story. Yet the conference has another purpose altogether. We would like to reverse the perspective and claimRead More →

Short narrative texts have a long and ancient lineage in the Western literary tradition: from ancient folk tales and myths over fables and novellas to short stories and flash fiction in recent times. Over the course of the centuries, short fictional texts have formed genres and traditions with a remarkable stability, yet at the same time they frequently have been the locus of experimentation, border crossings and generic hybridity, often in tandem with the spread of media and the development of new contexts of publication and dissemination. In modern literature, it suffices to think of the importance of short fiction for the development of fantasticRead More →

Since the turn of the twentieth-century, Irish fiction has seen innovation and experimentation on many different fronts. Many novelists have pushed the boundaries of the novel form and also the Irish short story is being rewritten along new lines. It is in this respect telling that the Goldsmiths Prize for innovative fiction has, since its inception in 2013, already been awarded to three Irish novelists and that many other Irish writers have won major prizes such as the Booker Prize, the Costa Award, and the BBC short story award. To get a sense of the variety of innovation and experimentation that is going on inRead More →

George Saunders’ Pastoralia: Bookmarked , by Charles Holdefer – New York: Ig Publishing  (ISBN-13: 978-1632460639; $14.95 paperback; £10.89 ; €13.11) George Saunders’ 2000 short story collection, Pastoralia, is an exaggerated and darkly humorous satire on American life at the turn of the twenty-first century, merging the spirit of James Thurber with the world of the Simpsons. In his entry in Ig’s acclaimed Bookmarked series, award-winning author Charles Holdefer addresses how this collection, and the writing of Saunders, influenced his journey as an author.Read More →

(NOTE: the deadline for proposals has been extended to the 21st of January) This event is the latest in a series of workshops and symposiums that have been organized in 2016 and 2017 by the University of Angers and the University of Nantes for the FOBrALC project, and indicates a growing interest for short forms research in the newly formed conglomerate of Loire Valley and Brittany Universities, France. The concept of brevity is, of course, not necessarily synonymous with shortness, and the question of the relationship between short forms and time deserves more critical attention. In the concept of fleetingness, time is seemingly unhinged. BetweenRead More →

The American Short Story Cycle spans two centuries to tell the history of a genre that includes both major and marginal authors, from Washington Irving through William Faulkner to Jhumpa Lahiri. The short story cycle rose and proliferated because its form compellingly renders the uncertainties that emerge from the twin pillars of modern America culture: individualism and pluralism. Short story cycles reflect how individuals adapt to change, whether it is the railroad coming to the small town in Sherwood Anderson’s Winesburg, Ohio (1919) or social media revolutionizing language in Jennifer Egan’s A Visit from the Goon Squad (2010). Combining new formalism in literary criticism withRead More →