The Modern Short Story and Magazine Culture, 1880-1950, edited by Elke D’hoker and Chris Mourant

This collection of original essays highlights the intertwined fates of the modern short story and periodical culture in the period 1880–1950, the heyday of magazine short fiction in Britain. Through case studies that focus on particular magazines, short stories and authors, chapters investigate the presence, status and functioning of short stories within a variety of periodical publications – highbrow and popular, mainstream and specialised, middlebrow and avant-garde. Examining the impact of social and publishing networks on the production, dissemination and reception of short stories, it foregrounds the ways in which magazines and periodicals shaped conversations about the short story form and prompted or provoked writers into developing the genre.

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Short Fiction in Theory and Practice 10.2: Short Fiction as Humble Fiction

Short Fiction in Theory and Practice  10.2 special issue on Short Fiction as Humble Fiction, guest-edited by Christine Reynier, following the ENSFR conference at Montpellier in October 2019  is now available from Intellect Press.  It also includes an interview with Sarah Hall, book reviews by Corinne Bigot and an interview with film-maker Eric Steel on his adaption of  David Bezmozgis’ ‘Minyan’ .

ARTICLES

 Editorial :’The power of short fiction as a humble genre’

CHRISTINE REYNIER

 ‘Humbling the human: Posthuman explorations in contemporary short fiction’

ELKE D’HOKER

‘The singular effect of brevity: Why Katherine Mansfield’s “The Fly” could not have been a novel’

LISA FEKLISTOVA

‘Regionalist short fiction as humble fiction’

ALDA CORREIA

‘Tourism, tourists, humility and the humble in E. M. Forster’s “The Story of the Siren” (1920)’

EMMANUEL VERNADAKIS

‘Humility and the humble: A reading of the Nepali short stories of Maheshbikram Shah’

KRITIKA CHETTRI

‘”The extremely private literary giant”: Alice Munro’s poetics of humility’

AILSA COX

JSSE Issue n.72 – Elizabeth Spencer

We are pleased to announce the publication of number 72 of the Journal of the Short Story in English/Cahiers de la nouvelle, devoted to Elizabeth Spencer. This issue is dedicated to our colleagues specialized in American literature, Michel Bandry, Danièle Pitavy-Souques and Claude Maisonnat (who authored one of the articles), but also to Spencer herself, who passed away in December 2019. Two previously unpublished short stories and two interviews are collected in this issue. Three writers have also agreed to share their memories of Spencer.

You will find below the table of contents, as well as links to the websites of the Presses Universitaires de Rennes and OpenEdition, where the beginning of the articles can be accessed.

Continue reading “JSSE Issue n.72 – Elizabeth Spencer”

Short Fiction in Theory and Practice 10.1

Short Fiction in Theory and Practice 10.1 contains original fiction by Zoe Lambert on the theme of illness and caring, plus co-written fiction from Amy Lilwall and Rupert Loydell. There are articles on writers including Agatha Christie, Margot Lanagan, Flannery O’Connor and Patrick Gale, plus an unpublished short story by the British writer Carl Tighe, who recently died from Covid-19, accompanied by an appreciation by Elizabeth Baines. Paul March-Russell reviews Borders and Border Crossings in the Contemporary British Short Story and Moy McCrory reviews Being Various, the anthology of new Irish Irish short stories edited by Lucy Caldwell.  And you can find out about how oral ghost stories mingle the discourse of fact and fiction.

10.2, coming early in 2021, will be a special issue on Short Fiction as Humble Fiction, and will include an interview with Sarah Hall.

Borders and Border Crossings in the Contemporary British Short Story

In today’s world, there is ample evidence of the return of borders worldwide; as a material reality, as a concept, and as a way of thinking. Edited by Barbara Korte and Laura Lojo-Rodriguez, Borders and Border Crossings in the Contemporary British Short Story focuses on the ways in which the contemporary British short story mirrors, questions and engages with border issues in national and individual life. It discusses the work of wide range writers including Zadie Smith, Anne Enright, Kamila Shamsie, Valda Jackson, Andrea Levy, Sarah Hall, Hanif Kureishi, China Mieville, Daisy Johnson, Jon McGregor and Helen Simpson, and includes a chapter in which Pete Kalu reflects on his own practice as a Black British writer.