Conference programme: “Short Forms in the Classroom: Breaking Down Boundaries”

University of Angers, France, 10-12 July 2023

See below for links to online sessions.

The University of Angers is organizing a closing conference for the Short Forms Beyond Borders (SFBB) pedagogical innovation project (European Erasmus + “Strategic Partnerships”) July 10-12, 2023. These three days will be structured as a “Multiplier Event,” i.e. a conference which aims to share the results of the project and initiate a reflection about its impact through the organization of conferences, workshops, and round tables. The SFBB project draws connections between research and innovative pedagogy through a focus on “short forms.” The diverse objects of study and tools in short formats can be the following: news, micro-news, tweets, pitches, Facebook or Instagram posts, short videos, fanfiction, short films, news flashes, street art, cartoons, songs, etc.

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DEADLINE EXTENSION [FEBRUARY 28 2023] Call for Papers: “Short Forms in the Classroom: Breaking Down Boundaries” University of Angers, France, 10-12 July 2023

The University of Angers is organizing a closing conference for the Short Forms Beyond Borders (SFBB) pedagogical innovation project (European Erasmus + “Strategic Partnerships”) July 10-12, 2023. These three days will be structured as a “Multiplier Event,” i.e. a conference which aims to share the results of the project and initiate a reflection about its impact through the organization of conferences, workshops, and round tables. The SFBB project draws connections between research and innovative pedagogy through a focus on “short forms.” The diverse objects of study and tools in short formats can be the following: news, micro-news, tweets, pitches, Facebook or Instagram posts, short videos, short fiction, fanfiction, short films, news flashes, street art, cartoons, songs, etc.

The conference will be addressed to not only short form specialists but also primary and secondary school teachers interested in pedagogy and didactics. It also aims to reach a wider audience who might be curious to know more about these short forms which have always been associated with education, but are particularly present in contemporary modes of information and communication, often in ways of which we are not aware.

This interdisciplinary and international meeting will allow the partners of the project to present the results of their activities in innovative pedagogy with short formats to not only the pedagogical and scientific community, but also to researchers from various disciplines in the humanities, languages and social sciences. We would like to continue to reflect upon these short forms that we often struggle to define and therefore welcome presentations or activities (innovative forms are welcome) about the following topics

– Short forms and pedagogical practices

– Short literary, audiovisual and cultural forms

– Short forms and tourism

– Short forms and social mediation

– Short forms and migration

– Etc.

Languages of the conference: English and French

In person attendance is required (no online presentations will be allowed), but a hybrid format will be considered for foreign audiences to attend the discussions and conferences.

A peer-reviewed publication is planned for conference presentations.

Please send a brief (300 word) description of your proposed presentation, along with a brief (150 word) bio-bibliography to the following addresses by 28 February 2023 [deadline extension]:

Cécile Meynard: cecile.meynard@gmail.com

Michelle Ryan: michelle.ryan-sautour@univ-angers.fr

Emmanuel Vernadakis: emmanuel.vernadakis@univ-angers.fr

Edge Hill Prize 2022 shortlist

 

The prestigious Edge Hill Prize is now in its 16th year and is the only national literary award to recognise excellence in a published, single-authored short story collection.

This year’s shortlist includes two previously shortlisted writers and two debut collections, with the winner set to scoop a £10,000 prize.

The five shortlisted books are:

  • Man Hating Psycho by Iphgenia Baal (Influx Press)
  • Intimacies by Lucy Caldwell (Faber)
  • Dance Move by Wendy Erskine (Stinging Fly/Picador)
  • Dark Neighbourhood by B(Fitzcarraldo Editions)
  • Send Nudes by Saba Sams (Bloomsbury)

A £1,000 Readers’ Choice Award will also be presented to one of the shortlisted authors, as well as a £500 prize for the best short story submitted by an Edge Hill University MA Creative Writing student.

The winners of this year’s awards will be announced in November.

The judges of the 2022 prize are 2021 winner Kevin Barry, literary development agent Arzu Tahsin; and Sarah Schofield,  Edge Hill University lecturer, whose collection Safely Gathered In is published by Comma Press.

CfP Irish literature and periodical culture – Leuven 1-3 December 2022

Periodicals have played an important role in the production, mediation, dissemination and reception of Irish literature. By exploring the intersections between Irish writers and the (transnational) periodical press, this conference aims to further scrutinise the ways in which periodical culture in Ireland has impacted writers’ careers, codified the development of literary genres and conventions, and influenced the course of Irish literary history and the canon more generally.

See the conference website for all information. Deadline abstracts: 6th of May 2022

Journée d’études / Study Day on Short Crime Fiction – 14 October 2022, Université Catholique de Lille

Call for Papers

Modern detective fiction is usually considered to have started with Edgar Allan Poe’s three Dupin short stories and it is certain that the Sherlock Holmes short stories in The Strand magazine brought the new genre to the attention of the world. Other notable writers who helped shape the genre in the early 20th century, including G. K. Chesterton and Melville Davisson Post, stuck to the short form and managed both to innovate and to produce works which are still appreciated today. For Ellery Queen, writing in 1942, it was still possible to state that “the original, the ‘legitimate’ form” of detective fiction “was the short story”[1] and to perceive the detective novel as an inflated short story. According to Catherine Ross Nickerson, “[t]he mechanisms of a detective narrative are more apparent in a short story, since there is less upholstery for hiding the ropes and pulleys. The shorter form also forces writers to make a more clear decision about whether to focus on the puzzle or on the character.”[2]

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