Author: Paul Knowles

A hybrid conference convened by the University of Warwick and Manchester in partnership with the European Network for Short Fiction Research.

We are excited to announce this call for papers on Ecological Futurity in ShortFiction. We welcome papers that consider the ways in which short fiction envisions radical alternative futures to a world threatened by socio-ecological crisis.

Key critical research that has recently been done in the field of Ecological Futurity revolves around dystopian and utopian depictions of humanity’s future. In Worlds Without US: Some Types of Disanthropy, for instance, Greg Garrad examines depictions of humanity’s extinction, considering the ways in which writers, artists and filmmakers have imagined a world, ‘completely and finally without people’, and the challenges these disanthropic representations pose to anthropocentric hierarchies and privilege.1 In contrast, Thom Van Dorren, Eben Kirsky and Ursula Münster consider in their introduction on Multispecies Studies, the ways in which cobecoming encourages, ‘the exchange and emergence of meanings’, between participants as they become immersed, ‘in webs of signification’, that might be, ‘linguistic, gestural, biochemical, and more’, and how these cobecoming relationships could foster greater harmony between the human and the more-than-human world in the future.2 These two diverging representations on the future of humanity are at the heart of what Deborah Lilley identifies as a New Pastoral movement in contemporary fiction:‘where the themes and conventions of the pastoral are being reimagined and reshaped in response to environmental crises’.3 This body of contemporary research highlights how studies into Ecological Futurity are shining a light on the political, economic and environmental systems in play in the current-day and-age, and how they will shape humanity’s future.

This conference foregrounds the role of short fictional forms in providing imaginative access into ecological futures. We are inviting abstracts of 450 words, including a 150-word bio on a broad range of topics, including but not limited to:

· Utopian Futures in short fiction
· Post-Apocalyptic/ Dystopian Imaginaries
· Short Fiction, Ecocriticism and the Environmental Humanities
· Speculative Fiction, Sci-Fi, and Climate Change
· Feminism and ecological futurity
· Indigenous Knowledge and Ecology
· Technological Innovations
· Queer futurity/ alternative reproductive futures                                                               
.The Weird tale in the twenty-first century
· The folktale and environmental folklore

The Ecological Futurity Conference will take place in-person and online at the University of Manchester on the 27th of June 2025. Deadline for abstracts: 2nd May 2025. To be sent to ensfrcg@gmail.com

Organisers: Paul Knowles (University of Manchester), Madeleine Sinclair (University of Warwick) and the ENSFR Network.

References 

1 ‘Worlds Without Us: Some Types of Disanthropy’, Greg Garrard, SubStance (2012), 41.1, 127, 40-60, p.41.
2  Multispecies Studies: Cultivating Arts of Attentiveness’, Thom Van Dooren, Eben Kirksey, Ursula Münster, Environmental Humanities (2016), 8.1, 1-23, p.2.
3 Deborah Lilley, The New Pastoral in Contemporary British Writing (Oxon, Routledge, 2020), p.156.

Confingo Publishing is launching The Crib and Other Stories, by Albertine Sarrazin, translated from the French by Sonya Moor.

These short stories, which appear in English for the first time, were composed for the most part in prison, before Sarrazin’s novels were published to international acclaim in 1965. Here, Sarrazin turns her singular eye on the prison environment, charting the cruelties, small kindnesses, constraints and paradoxical freedoms of daily life in prison. By turns astute, tender and wryly humorous, Sarrazin presents a panorama ranging from the dangers
of ‘favours’ and clandestine letters, to the delights of illicit coffee and self-imposed creative limits. Sarrazin’s stories swoop the quotidian into the epic, as officers, inmates, and alter egos play out, in the small world of the prison, their comédie humaine. Against this backdrop emerges Sarrazin’s own personal battle: to be, and express, herself.

 

Submissions are now open to the Scratch A4 Summer ’25

1000 word short story competition!

Come and explore the rich and exhilarating possibilities of the short, short story – the six shortlisted writers reading their stories in the biannual event in Soho, London in June.

 

This year’s judges are:

Denise Rose Hansen, editorial director at Penguin Books.

Liv Bignold, literary agent at C&W literary agency.

Tom Conaghan, publisher of Scratch Books.

 

Submissions close on 26th April.

More information on submissions here.

The ENSFR reading group

The ENSFR reading group aims to provide a digital space for early career researchers and postgraduate students to come together and discuss classic and new short fiction. The reading group is co-coordinated by Maddie Sinclair (University of Warwick), Paul Knowles (University of Manchester) and Ines Gstrein (University of Innsbruck).

The group usually meets once per month during term time on Zoom. The link to the meeting room is circulated in advance via a mailing list, together with the set reading for the next meeting. For each meeting, there is a short story to read. There are also some questions to guide our reading and get the discussion started.

New members are always welcome! To sign up for the reading group, please send an email to the contact email address of the reading group: ensfrreadinggroup[at]gmail.com