Edge Hill Prize 2020 winner
Shelley Day has been named the winner of the 2020 Edge Hill Prize for her debut collection, What Are You Like. Ruby Cowling won the Readers’ Choice Prize for another debut collection, This Paradise.
Short Fiction in Theory and Practice 10.1
Short Fiction in Theory and Practice 10.1 contains original fiction by Zoe Lambert on the theme of illness and caring, plus co-written fiction from Amy Lilwall and Rupert Loydell. There are articles on writers including Agatha Christie, Margot Lanagan, Flannery O’Connor and Patrick Gale, plus an unpublished short story by the British writer Carl Tighe, who recently died from Covid-19, accompanied by an appreciation by Elizabeth Baines. Paul March-Russell reviews Borders and Border Crossings in the Contemporary British Short Story and Moy McCrory reviews Being Various, the anthology of new Irish Irish short stories edited by Lucy Caldwell. And you can find out about how oral ghost stories mingle the discourse of fact and fiction.
10.2, coming early in 2021, will be a special issue on Short Fiction as Humble Fiction, and will include an interview with Sarah Hall.
Edge Hill Prize shortlist 2020.
The Edge Hill Prize 2020 for a published short story collection from the UK or Ireland has just been announced. £10,000 will be awarded to the winner in November. The collections are:
- Paris Syndrome by Lucy Sweeney Byrne (Banshee Press)
- This Paradise by Ruby Cowling (Boiler House Press)
- What Are You Like by Shelley Day (Postbox Press)
- Sudden Traveller by Sarah Hall (Faber)
- This Way to Departures by Linda Mannheim (Influx Press)
Katherine Mansfield and Children: Call for Papers
KATHERINE MANSFIELD AND CHILDREN
Editors
Gerri Kimber, University of Northampton, UK
and
Todd Martin, Huntington University, USA
Virginia Woolf once remarked that Katherine Mansfield had ‘a kind of childlikeness somewhere which has been much disfigured, but still exists’. This ‘childlikeness’ is indeed a facet of Mansfield’s personality which permeates every aspect of her personal and creative life. It is present in her mature fiction, where some of her most well-known and accomplished stories, such as ‘Prelude’ and ‘At the Bay’, have children as protagonists; it is present in her early poetry, which includes a collection of poems for children intended for publication; it is also present in her juvenilia, where many of the stories she wrote from an early age for school magazines and other publications, feature children. As Tracy Miao notes of her mature fiction, ‘in Mansfield’s modelling of her child artists […] there is more than a simple “childlikeness” […] but a serious thought process on art and the artist’.
Even as an adult, Mansfield’s love of the miniature, her delight in children in general, her fascination with dolls, all feature in her personal writing. Her relationship with John Middleton Murry was characterised by their mutual descriptions of themselves as little children fighting against a corrupt world. Alluding to their innocence, Mansfield once wrote to Murry: ‘My grown up self sees us like two little children who have been turned out into the garden’. Years later, speaking of Murry’s writing, she notes, ‘Take care of yourself – my beloved child with all these wild men about throwing stones and striking’.
Essays which address any aspect of the concept of Mansfield and children will be considered for this volume. Subjects might include (but are not limited to):
• Children in Mansfield’s fiction
• Children in Mansfield’s poetry
• Mansfield’s juvenilia – poetry and /or prose
• Mansfield’s early years
• The ‘childlike’ relationship between Mansfield and Murry
• Mansfield’s pregnancies
• Mansfield’s love of the miniature
• Mansfield and dolls
• The childlike in Mansfield’s personal writing
• Mansfield’s ‘innocent eye’ (John Ruskin)
Please email submissions of c.6000 words, including endnotes, formatted in Word and in MHRA style*, 12 pt. Times New Roman, double line-spaced, with a 100-word abstract + 5 keywords & 50-word biography, to the editorial team at kms@katherinemansfieldsociety.org
PLEASE NOTE: ALL SUBMISSIONS WILL AUTOMATICALLY BE ENTERED FOR OUR ANNUAL ESSAY PRIZE COMPETITION UNLESS AUTHORS INDICATE OTHERWISE.
*An MHRA Style Guide is available on the Katherine Mansfield Society website: http://www.katherinemansfieldsociety.org/yearbook-katherine-mansfield-studies/
Creative Writing
We welcome creative submissions of poetry, short stories, and creative essays on the general theme of Katherine Mansfield. Please send submissions for consideration, accompanied by a brief (50 words) biography, to kms@katherinemansfieldsociety.org.
DEADLINE FOR SUBMISSIONS: 31 AUGUST 2020