Author: Ailsa Cox

Ailsa Cox is Professor Emerita of Short Fiction at Edge Hill University, UK. Her books include The Real Louise and Other Stories (Headland), Alice Munro (Northcote House) and Writing Short Stories (Routledge).
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Short Fiction in Theory & Practice 15.1 & 2 out now.

This double issue of Short Fiction in Theory and Practice is the second of two issues on the theme of Landscape and Temporality, guest edited by Paul Knowles, Ana Garcia Soriano and Madeleine Sinclair. It features articles drawn from the ENSFR conference held in Manchester, covering authors including Karen Russell, Andres Barba, Daphne du Maurier, Andre Gide and  Tarasankar Bandyopadhyay as well as creative-critical contributions by Ines G. Labarta, Jennifer Cavanagh and A.J. Ashworth. Paul March-Russell’s ‘Anthropocene feminism and the Weird temporalities of landscape’ focuses on work by Zoe Gilbert, Sarah Hall, Daisy Johnson and Lucy Wood. Plus ‘”Guerilla academics”: An interview with Ailsa Cox, Michelle Ryan and Elke D’hoker, founders of the European Network for Short Fiction Research’ by Laura Gallon and the latest book reviews.

 

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Short Fiction in Theory and Practice 14.2 Landscape and Temporality in Short Fiction

Short Fiction in Theory and Practice 14.2   contains selected articles from the 2023 ENSFR conference on Landscape and Temporality plus an interview with writer Thomas Morris and a range of book reviews. Guest editors are Paul Knowles, Ana Garcia-Soriano and Madeleine Sinclair. Topics and authors covered include Inuit short stories, Hungarian short stories, short fiction and domestic space, short fiction and dementia, Theophile Gautier, M.R. James, Michel Faber. Plus an iconoclastic new essay from Jon McGregor. And book reviews. Thanks to everyone involved, including the diligent and supportive peer reviewers.

A second volume will follow shortly.

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Edge Hill Prize Shortlist Announced

The shortlisted titles for the Edge Hill Prize 2024  for a published collection from Britain and Ireland are as follows:

  • Forgetting is How we Survive by David Frankel (Salt)
  • After the Funeral by Tessa Hadley (Jonathan Cape)
  • Encounters with Everyday Madness by Charlie Hill (Roman Books)
  • Monstrous Longing by Abi Hynes (Dahlia Publishing)
  • Parables, Fables, Nightmares by Malachi McIntosh (The Emma Press)
  • Walter Benjamin Stares at the Sea by CD Rose (Melville House Publishing)

A new £1,000 Debut Collection Award will also be presented to one of the shortlisted authors to celebrate the best new voices in short story writing, and a £500 prize will be awarded for the best entry from an Edge Hill University postgraduate creative writing student.

The winner will be announced in February 2025 at an award ceremony in London.  More details of judges and news about the prize are on its website.

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Short Fiction in Theory and Practice 14.1

Short Fiction in Theory and Practice 14.1: Special Section on ‘The Short Story and Ecology’

 Guest edited by A. J. Ashworth and Aleix Tura Vecino

 

Vol. 14.1 of Short Fiction in Theory and Practice includes a special section on ‘The Short Story and Ecology’ with original fiction by Claire Dean and Ashley Bullen-Cutting, plus articles discussing short fiction and hybrid texts by Nirmal Ghosh, Sam Cohen, D. H. Lawrence, Juliana Spahr and Sarah Moss. A.J. Ashworth interviews the American writer Diane Cook, author of Man V. Nature.

In the general section, you will find articles by Karla Cotteau, Ariela Freedman and Ines Gstrein, discussing fiction by Anthony Burgess, Souvankham Thannavongsa, Anthony Veasna So and Janice Galloway. Paul March-Russell reviews Glimpse: An Anthology of Black British Speculative Fiction.  Din Havolli reviews Kurdistan + 100: Stories from a Future State

Available now at https://intellectdiscover.com/content/journals/fict/browse.

 

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17th International Conference on the Short Story in English

The 17th International Conference on the Short Story in English   directed by Dr Maurice A. Lee will take place in Killarney, Ireland, in June 2025.

Theme: “How it Works: The Uniqueness of the Short Story.”
Often, the short story is defined by what it is not: the novel. Yet perhaps the better question to ask is what does it uniquely offer that other forms of fiction cannot? What effect does the concentration of story and human experience into a few thousand words have on the reader? The shortness of form puts focus on individual experience, containing ‘an intense awareness of human loneliness’ (Frank O’Connor). It is a form that insists on removing everything non-essential and demands a ‘large deal of detection’ (Mary Lavin). This spareness requires total concentration from its reader to understand its profound wordless elements. Most importantly it seduces, with seeming simplicity, calling on our empathy; it creates a ‘transference of emotion’ (James Joyce) with a few carefully crafted lines. It is a form that is effortful, in some respects, for the reader, yet maintains a keen focus and is unmatched in its precision. What is so unique about this conference is that writers of fiction in English (Irish, British, American, Canadian, Australian, Caribbean, South Africa, Indian, Sri Lankan, Indonesian, etc.) and writers who have had their work translated into English, together with scholars of the genre will all come together to discuss that seductive unmatched precision.

Further details on the conference website.