Registration is now open for the multi-disciplinary Leonora Carrington Centenary Symposium, in honour of the surrealist writer and artist.  Leonora Carrington’s short stories are now republished by Silver Press as The Debutante and Other Stories.  Amongst many other treats, the event will include a reading of a specially written story by Claire Dean.Read More →

Short Fiction in Theory & Practice 6.2 includes articles on plot, on auto ethnography and writing short fiction by practitioners David Jauss, Alex Plasatis and Michael Stewart.  There are also critical articles on Maeve Brennan, Angela Carter and Alice Munro, an interview with Kirsty Gunn, book reviews and more.Read More →

FInal Programme The American Short Story: An Expansion of the Genre   An American Literature Association Symposium Sponsored by the Society for the Study of the American Short Story October 20-22, 2016   Symposium Director: James Nagel, University of Georgia   Hyatt Regency Savannah Two W Bay Street Savannah, Georgia 31401 The American Short Story:  An Expansion of the Genre An American Literature Association Symposium Sponsored by the Society for the Study of the American Short Story October 20-22, 2016 Hyatt Regency Savannah Two W Bay Street Savannah, Georgia 31401     Symposium Director: James Nagel, University of Georgia     Acknowledgments:   The conferenceRead More →

Congratulations to Jessie Greengrass, winner of the 10th anniversary Edge Hill Prize for her collection, An Account of The Decline of the Great Auk According to One Who Saw It.  She will be reading alongside Kirsty Gunn and Kevin Barry at the launch of the Edge Hill Prize anthology, Head Land edited by Rodge Glass at the Edinburgh Book Festival on August 27th.Read More →

‘The Child of the Century’: Reading and Writing Short Fiction Across Media Edge Hill University, UK     Day 1, Friday 13th May 2016   TIME SESSION VENUE 8.30 – 9.00 Registration & Refreshments Business School Foyer 9.00 – 9.30 Welcome address B001 9.30 – 11.00 Parallel Sessions: Panels 1 & 2 Panel 1: Form, Format and Short Story Publishing B002 Narrative Empathetic Writing Devices: A Study of Short Fiction Formatting. Amanda Bigler (Loughborough University, UK) Embracing Modes: How the children of this century have employed the online publisher. Lisa Blower (independent scholar, UK) Does the Short Story exist? George Green (Lancaster University, UK)   Panel 2:Read More →

  http://blogs.chi.ac.uk/shortstoryforum/features-competition/ FREE ENTRY 750 to 2,000 words. £500 first prize, plus 2x runner-up prizes £100 each Deadline: 06 March 2016, 11:59pm (GMT). Calling for feature essays on the short story form, either recommending a short story, collection or anthology, or profiling the life and writing of a short story writer. We look, above all, at the quality of prose, the insights offered, and your ability to really hook your readers. The focus must be on the short story form (short stories, though, are not eligible for entry).Read More →

‘The Child of the Century’: Reading and Writing Short Fiction Across Media Edge Hill University, UK, May 13-14, 2016: deadline for proposals extended to January 31st 2016. Writing in 1936, Elizabeth Bowen said: ‘The short story is a young art; as we now know it, it is the child of this century. Poetic tautness and clarity are so essential to it that it may be said to stand at the edge of prose; in its use of action it is nearer to drama than to the novel. The cinema, itself busy with a technique, is of the same generation; in the last thirty years theRead More →

Conference organised by the Katherine Mansfield Society Hosted by the town of Bandol, France Supported by the New Zealand Embassy, Paris and the University of Northampton, UK KEYNOTE SPEAKERS Professor Enda Duffy University of California, Santa Barbara, USA Professor Ailsa Cox Edge Hill University, UK CALL FOR ABSTRACTS This international conference celebrates the centenary of Katherine Mansfield’s visit to Bandol, where ‘The Aloe’ (the first draft of ‘Prelude’), was completed, Jan-March 1916. The genesis of this story bears witness to Mansfield’s development as a modernist writer, with her everyday subject matter and privileging of modernity, her focus on small, seemingly insignificant details at the expenseRead More →