ENSFR

Event: An Evening with Colm Tóibín
2026-05-31 19:00 - 20:30 (Europe/Paris) | The Black-E, The Black-E, 1 Great George Street, Liverpool, L1 5EW
To mark the publication of Colm Tóibín’s highly anticipated short story collection The News from Dublin (Picador), Writing on the Wall is delighted to reveal that the acclaimed Irish author will appear at WoWFEST26 on Sunday 31 May, chaired by Professor Frank Shovlin.
Tóibín will discuss The News from Dublin, a striking and deeply moving sequence of stories that span continents and generations, from wartime Ireland to Barcelona, Argentina and beyond. Moving between lives marked by exile, secrecy and loss, these luminous narratives explore family ties, displacement, and the enduring pull of home and memory.
Born in Enniscorthy in 1955, Tóibín is the author of numerous acclaimed novels and short story collections, including The Empty Family, Brooklyn, The Master, The Magician and Long Island. A three-time Booker Prize finalist, he has received the David Cohen Prize for Literature, served as Laureate for Irish Fiction (2022–2024), and was Chancellor of the University of Liverpool until 2017.
He will be joined by Frank Shovlin, Professor of Irish Literature at the University of Liverpool’s Institute of Irish Studies and an acclaimed critic and editor. Shovlin is renowned for his scholarship on James Joyce and John McGahern, including The Letters of John McGahern (Faber & Faber) and the forthcoming biography John McGahern: A Writing Life.

Residency: Borders Traditions Residency
2026-06-01 | Hugo Burge Foundation
Residency Dates: Wed Sept 23rd to Wed Oct 21st 2026
This is a residency for an artist or creator of any medium who has an interest in looking to history, legend, and local culture as a source of creative inspiration and who would help us capture a tradition, place, or story that is significant to the Scottish Borders.
The Scottish Borders is a vibrant place with many celebrated stories and traditions, as well as many stories that are yet to be told.
This residency is aimed at supporting a creative who finds inspiration in tradition, legend, history, or community stories who will help us capture a local tale through their artistic medium, be it illustration, sculpture, performance, textiles, etc.
This is a fully funded residency that includes exclusive studio space, accommodation in one of our Hobbit Pods, and a weekly stipend of £350.
There are no expectations about what you will use the residency for, but we hope the selected artist will conduct at least one public event such as a creative workshop (for adult participants), a talk, demonstration, performance or educational activity.
You will be able to spend time with other artists and makers on site, along with another visiting artist also on residency. Our Creative Director, Dr James Fox will provide mentorship during your stay.
Deadline: June 1st
Decision By: June 13th

Competition Deadline: The MTP Short Story Competition
2026-06-01
From the competition website:

In our quest to offer authors a stage for their work, we are excited to be hosting our 2026 Short Story Competition.

First Prize: £1000 (GBP)
Second Prize: £500 (GBP)
Third Prize: £250 (GBP)
5 Runners-up Prizes of £50 (GBP)
Prizewinning stories will be published in the MTP 2026 Anthology (print book and eBook). The Anthology title will be based on the title of the winning entry.

Submit here.

Event: ENSFR reading group, June meeting
2026-06-01 17:00 - 19:00 | Zoom
The next short fiction reading group meeting will take place (via Zoom) on Monday 1st June at 5pm (UK time). Below, you can find information on how to join the online meeting room. I have attached an iCalendar file that you can add to your calendar.
During the meeting, we will be discussing Julie-Ann’s reading suggestion: the short story “Death by Landscape” by Margaret Atwood. You can access the short story from this link:
https://223141929335512656.weebly.com/uploads/1/7/0/9/17093284/deathbylandscape_atwood.pdf
Our conversation will focus on the following discussion points that Julie-Ann has selected:

The story opens in a domestic interior but moves to a landscape of ‘wilderness’. How are these two contrasting spaces integral to the story?
Is there a power dynamic in the friendship between Lois and Lucy?
What is significant about the presentation of the camp and the language Atwood uses?
Does this story fit the category of bildungsroman?
How does Atwood explore ideas of colonisation?
In the following quote bodily absence is made significant. How does this idea relate to the wider societal conceptualisation of the female body through art, culture and mass media? How are female bodies represented elsewhere in the story?

“But a dead person is a body; a body occupies space, it exists somewhere. You can see it; you put it in a box and bury it in the ground, and then it’s in a box in the ground. But Lucy is not in a box or in the ground. Because she is nowhere definite, she could be any where.”

Structurally the story moves from present to past to present, using character memory to explicate the main story. How does ‘framing’ the past within the present impact ideas and meanings?
The story ends with a mystery? Is the reader invited to play detective?

Those who are interested in exploring the work further might want to read Atwood’s collection Wilderness Tips which also features “Death by Landscape”. Many of the other short stories in the collection are worth reading in conjunction, particularly “True Trash”. This is a recommendation by Julie-Ann. It is not mandatory to read further short stories for the meeting.
—
Ines Gstrein is inviting you to a scheduled Zoom meeting.
Topic: Short Fiction Reading Group – June 2026
Time: Jun 1, 2026 05:00 PM London
Join Zoom Meeting
https://us06web.zoom.us/j/85116499205?pwd=[REDACTED]

Residency: Magnetic 5
2026-06-02 | Cove Park
We are thrilled to continue our involvement in the Magnetic Residencies programme, in partnership with Villa Arson, Nice. The Magnetic 5 call for applications is open until Tuesday 2 June 2026. Cove Park welcomes applications from artists based in Provence-Alpes-Côte d’Azur. Scotland-based artists are welcome to apply to Villa Arson. The Magnetic Residencies programme offers a 2-month bespoke residency, £2,100 monthly fee, accommodation and access to a workspace, curatorial mentoring and international networking opportunities.
Magnetic, managed by Fluxus Arts Projects, is a Franco-UK network bringing together five organisations from France and five from the UK to create a programme of funded residencies for visual artists based in both countries.
Tandem Capc, Bordeaux, Nouvelle-Aquitaine / Wysing Arts Centre, Cambridge, England:
Capc residency is open to artists based in England
Wysing Arts Centre residency is open to artists based in Nouvelle-Aquitaine
Tandem Frac Grand Large, Dunkirk, Hauts-de-France / Flax Art Studios, Belfast, Northern Ireland:
Frac Grand Large residency is open to artists based in Northern Ireland
Flax Art Studios residency is open to artists based in Hauts-de-France
Tandem Villa Arson, Nice, Provence-Alpes-Côte d’Azur / Cove Park, Argyll & Bute, Scotland:
Villa Arson residency is open to artists based in Scotland
Cove Park residency is open to artists based in Provence-Alpes-Côte d’Azur
Tandem Frac Bretagne, Rennes / Aberystwyth Arts Centre, Aberystwyth, Wales:
Frac Bretagne residency is open to artists based in Wales
Aberystwyth Arts Centre residency is open to artists based in Brittany
Tandem Bétonsalon – Centre for art and research, Paris, Île-de-France / Gasworks, London, England:
Bétonsalon – Centre for art and research residency is open to artists based in England
Gasworks residency is open to artists based in Île-de-France
Applicants from England are invited to make one application only and can either apply to Capc, Bordeaux or Bétonsalon – Centre for art and research, Paris.

Residency: Jan Michalski Foundation Application Dates
2026-06-02 - 2026-08-31
The Jan Michalski Foundation’s residency for writers is designed to provide an environment for literary creation and to support those involved in the written word.

The Foundation features a group of seven distinctive residential modules that are available for writers and translators invited for residencies of varying lengths of time. Hanging from the openwork “canopy” that runs above the Foundation, these units are called “cabins” and offer ideal conditions to anyone who is looking to start, continue working on, or put the finishing touches to a writing project.
Although open to all kinds of writing and all languages, the residency program does give priority to literary writers and translators. The residencies can be for either individuals or pairs of participants in the case of projects involving more than one discipline. Each year some forty authors from around the world, from emerging writers to seasoned veterans, are able to count on a certain period of time dedicated to a literary project.
A percentage of the residencies are dedicated to nature writing, a form of fiction or creative non-fiction that raises awareness of nature, prepares for a sustainable future, and helps to better understand socio-environmental interconnections and the impact of human actions on nature.

Become a resident

General Terms and Conditions

Residences are available for all types of writers engaged in literary creation. While we give priority to writers and translators, we are also open to other disciplines as long as literature is at the heart of the project. Stays in the Jan Michalski Foundation are granted to individuals as well as pairs of writers working on a common project. The latter might include a writer and a translator, a writer and someone from another discipline, two writers, and so on.

Location

The Jan Michalski Foundation lies at the foot of the Swiss Jura Mountains in Montricher. The village is approximately 30 minutes from Lausanne and one hour from Geneva. It is possible to reach Montricher from Morges by train.
Six “cabins” overlook Lake Geneva and the Alps while a seventh is oriented towards the forested slopes of the Jura. One final cabin serves as a kitchen and common living area where resident writers can cook together, socialize and relax.

Length of stay

Residencies can vary in length, lasting from two weeks to one, two, or three months. The length of stay should match the scope of the project. The period applied for is a request only, and the Jan Michalski Foundation reserves the right to offer another period depending on availability.

Eligibility criteria

There are no age or nationality restrictions.
Beginners are accepted.
Candidates are only allowed to submit one application per year.
Former residents are not allowed to reapply.

Event: I’ve Never Read Elizabeth Gaskell Exhibition
2026-06-05 - 2026-06-30 | Rochdale Central Library, Rochdale Central Library, Number One Riverside, Smith Street, Rochdale, OL16 1XU
Elizabeth Gaskell’s House marked the 10th anniversary of its restoration and opening to the public with a bold new exhibition called I’ve Never Read Elizabeth Gaskell, as part of a project supported by The National Lottery Heritage Fund.
Three young writers – Georgia Affonso, Princess Arinola Adegbite and Guruleen Kahlo – were awarded inaugural writers’ residencies at Elizabeth Gaskell’s House, Manchester’s only literary house, and it is their endeavours that take centre stage.
They began their journey having never read Elizabeth’s work, but by spending time at the house they have been immersed in her writing and role as a social reformist. Through their eyes visitors will also be able to discover just how much there is to the inspiring world of Elizabeth Gaskell.
Created in partnership with The Writing Squad and Manchester City of Literature. Please check the library opening times before planning your visit.

Call for Papers: "American Shorts"
2026-06-10
CFP: “American Shorts” University of Lisbon, Portugal, October 29-31, 2026

Conference: 8th Annual ENSFR Conference at the University of Artois
2026-06-10 - 2026-06-12 | University of Artois, Arras, France
We are excited to announce a Save The Date for the 8th Annual ENSFR Conference. The conference will be held at the University of Artois (Northern France) on the 10-12th of June 2026. The title of the conference is: “In Different Shapes: the short story and its modes of circulation in magazines and newspapers.”
Following the ideas initiated at the Leuven conference in 2017 on the short story, its contexts and co-texts, the 2026 ENSFR conference will be devoted to short forms appearing in magazines and newspapers.
The conference will consider any story printed in such media but also stories that were solely published in magazines and newspapers (as opposed to stories that were later collected in book form), adapted into film or into longer works of fiction (as is often the case with The New Yorker). Panelists may also work on any short form to be found in magazines (commercials, letters to the editor, notes…) as well as illustrated stories—the illustrations providing yet another short story from to explore.
Certain magazines target a specific audience, and it could be stimulating to reflect upon writers’ ability to please (at least on the surface) literary editors. In the nineteenth century, stories were often referred to as “articles,” “tales” or “sketches”—how does this influence our understanding of the text? What are the differences between stories printed in magazines and those printed in newspapers?
The conference will give us an opportunity to discuss magazine publication with several authors and see how magazine and newspaper publication has evolved since its earliest forms.

Competition Deadline: V.S. Pritchett Short Story Prize
2026-06-22
From the competition website:

The RSL V.S. Pritchett Short Story Prize seeks to find the best unpublished short story of the year.
The 2027 V.S. Pritchett Short Story Prize is now open for entry until Monday 22 June at 5pm. Please ensure you have read and understood the V.S. Pritchett Prize Eligibility and Guidelines prior to entering.

Enter here.

Event: Ben Pester and Keith Ridgway at Bàrd Books
2026-06-23 19:00 - 21:00 | Bàrd Books, 341-343 Roman Road, London, E3 5QR
Join author Ben Pester and Keith Ridgway with Barry Pierce to discuss their new books

Doors 630pm, event start 7pm prompt
BEN PESTER is the author of the short story collection Am I in the Right Place? (2021) and the novel The Expansion Project (2025), which was shortlisted for the Nero Book Awards and the Goldsmiths Prize.
“Pester is a genius of capturing the vicissitudes of contemporary life” LUKE KENNARD
Sail Away Land is the space where we might go when we’re no longer alive (sometimes only temporarily). In this uncommon and disarming collection, the characters go ‘there’ with or without knowing it. Maybe they have been living there all along without noticing – just like they hadn’t really noticed that everyone is carrying a shiny black suitcase.
These stories are about normal things – losing the people we’re closest to, forgiving them, finding love and managing to hold onto it – but also about going to parties through a door in the back of a colleague’s head, housebreaking in search of a sister’s ghost, and asking the strangers in the kitchen to resurrect you at midnight.
Like brilliant and strange anxiety dreams in prose, the stories in Sail Away Land are full of temporal weirdness, life and non-being, psychological acuity, imagination and wit, all while being effortlessly, seductively readable and incredibly moving.
“Moving deftly between corporate weirdness, the anxiety of rejection, and the warm haze of childhood memory, Sail Away Land is just how I like my short story collections: playful and particular. I feel lucky to have read it.” SABA SAMS
Keith Ridgway is a Dubliner living in London. His novels include A Shock, which won the 2021 James Tait Black Memorial Prize for Fiction and was shortlisted for the Goldsmith’s Prize; Hawthorn & Child; and Animals. His first novel The Long Falling was filmed by Martin Provost as Où Va La Nuit in 2011. He has been awarded the Prix Fémina Étranger and Premier Roman Étranger, the O Henry award and the Rooney Prize for Irish Literature. Dooneen is published by Fitzcarraldo Editions and by New Directions.
The astonishing Irish literary magician Keith Ridgway pulls from his hat the Great Dublin Novel for the 21st century
Bartholomew Port, known to all as Mew, steps into the bushes in a London park and steps out of the bushes in a Dublin one. Not only that—there are no cars; there are moving footpaths; there is no church; everything seems quite queer. Home by invitation, he has arrived in a Dublin that is alive with song, with rumor, with tunnels, with ghosts, and with an unmistakable sense of insurgency. In this suspiciously timeless city that breathes an old revolutionary air, Mew fiercely misses his beloved Mootie, back home in London.
An unraveling, an impossibility, a gathering of voices, and a single dream, Dooneen is the layered, allusive and wildly original new novel from Keith Ridgway, “one of Ireland’s best writers, in a country with no shortage of them” (The Times).

Competition Deadline: Queen Mary Wasafiri New Writing Prize
2026-06-30
From the competition website:

The 2026 Queen Mary  Wasafiri New Writing Prize is now open.
The seventeenth edition of the prize is now open for original entries and entries in translation across Fiction, Life Writing, and Poetry.

Enter here.

Competition Deadline: Fiction Factory Short Story Competition
2026-06-30
From the competition website:

Top prize- £500
Length of story: max 3,000 words
Entries should be as a Word document.
All types of stories are welcome (excluding Children’s and Young Adult
Fiction).
Entry Fee: £7.00 (£13 for 2 stories, £18 for 3 stories)
Entry fee plus optional critique: £35.00

Winning stories will be published on this website and, at a later date in a planned anthology

Enter here.

Competition Deadline: Wells Short Story Competition
2026-06-30
From the competition website:

Got a potential page-turner inside you? Then polish up your prose and send your entry to this year’s Short Story Competition. First prize is £750, while second and third-place winners will receive £300 and £200 respectively.
There is also a special prize of £100 in the category for best local author.
Competitions open on 1 April and close on 30 June.

Enter here.

Competition Deadline: The Olga Sinclair Prize
2026-06-30
From the competition deadline:

Theme: WALLS
Word Limit: 2000 words (excluding the title)
The Brief: Judges are looking for wise choices of vocabulary, well-structured plotting and description, sparkling dialogue, pace and precision. Although the theme is always selected to represent Norwich you are free to interpret this however you see fit. Your story does not have to be connected to Norwich, but it does need to have the concept of Walls as its central theme.

Enter here.

Residency: Jaunpils Writers’ Castle Residency (Latvia 2026)
2026-06-30 | The National Centre for Writing
The Tukums UNESCO City of Literature Writer-in-Residence Programme will be based at Jaunpils Castle in the Tukums region of Latvia. Traditionally published writers, poets, playwrights and screenwriters connected to UNESCO Cities of Literature are invited to apply.
The residency will take place in October 2026 and will run for 2-4 weeks. The application deadline is 30 June 2026.

Event: Sara Baume & Emily LaBarge discuss Opening Night
2026-07-01 19:00 - 20:00 | London Review Bookshop, 14 Bury Pl, London, WC1A 2JL
Shortly after the pandemic lockdown Sara Baume came across a painting in a pop-up exhibition in a renovated West Cork shed. Fascinated by it, she became determined to make the painter’s acquaintance – although a native of North Dakota the artist Mollie Douthit was now living and working in rural Ireland. Bonded by a common love of nature and a commitment to their respective artistic practices, they began to meet regularly, to talk, to eat and to swim. What would it be like, Baume wondered, to write a book in the style of Mollie’s painting? Opening Night is the result. She will be in conversation with Emily LaBarge, author of Dog Days.

Competition Deadline: The Letter Review Prize for Short Fiction
2026-07-29
From the competition website:
The Letter Review Prize is an internationally celebrated event, offered every four months in the categories of Short Fiction, Poetry, and Books. We publish our winners, maintain shortlists, submit to The Pushcart, and award over $16,000 USD annually to writers, meaning our prize is among the highest paying literary prizes administered by a literary journal in the world.
Enter here.

Competition Deadline: Anthology Short Story Competition
2026-07-31
From the competition website:
Established to recognise and encourage creative writing and provide a platform for publication, the Anthology Short Story Competition is open to original and previously unpublished short stories in the English language by a writer of any nationality, living anywhere in the world. There is no restriction on theme or style. Stories submitted must not exceed the maximum of 1,500 words. Writers can submit as many entries as they wish. Each submission will require a separate entry form and is subject to a separate entry fee.
Enter here.

Competition Deadline: Southlands Creative Writing Competition 2026
2026-07-31
From the competition website:
Southlands Arts Centre is excited to announce the launch of our annual creative writing competition. We are open for submissions from Sunday, 22nd February.
We are taking entries from over 18s and under 18s. There are life writing and fiction categories.
Continuing with our tradition the fiction category is themed. This year’s theme is architecture. By this we mean, buildings of all kinds — from homes to halls, castles to cabins, all structures and spaces.
Enter here.

Competition Deadline: The Bournemouth Writing Prize
2026-08-15
From the competition website:

Bournemouth has a rich literary heritage. World-renowned writers – from Bram Stoker to Bill Bryson, Mary Shelley to JRR Tolkien, all took inspiration from our seaside oasis on the south coast of Dorset. Originally, Bournemouth was a spa town, attracting people from across the country (and polluted cities!) to use the sea air to revitalise their wellbeing. Where relaxation exists, creativity springs.
Drawing on Bournemouth’s incredible creative scene – including two world-class universities, colleges and language schools – and a thriving, engaged and inclusive creative community, our 2027 writing competition – in partnership with the Bournemouth Writing Prize – invites writers from across the world to be inspired by Bournemouth’s rich literary history to send us entries on any subject.

Short stories (up to 3,000 words)

Poems (up to 30 lines).

The costs to enter are:

£10 for a Short Story (up to 3,000 words)

£10 for up to three poems (up to 30 lines). All poems need to be in one document.

Submit in either Word or PDF.

Enter here.

Event: Lucy Caldwell & Nell Stevens, Short Story Magic
2026-08-22 13:30 - 14:30
BBC National Short Story Award-winning Lucy Caldwell (author of Openings and These Days) and Nell Stevens (author of The Original and Somerset Maugham Award-winning Mrs Gaskell & Me) are both masters at catapulting you into characters’ lives, conjuring entirely new worlds in a matter of pages. In this conversation they discuss their new story collections, Devotions and The Good Time, talking stories of love, grief, haunted lives, emotional crossroads, and irresistible humour with Di Speirs.

Competition Deadline: Oxford Flash Fiction Prize
2026-08-31
From the competition website:

1st Prize: £1000 / 2nd Prize: £200 / New Voice Prize: £200 / 3rd Prize: £100 / Hidden Element Prize £100
Shortlisted entrants will be offered publication in our end of year anthology.

Enter here.

Competition Deadline: Aesthetica Creative Writing Award
2026-08-31
From the competition website:

Poetry entries should be no more than 40 lines.
Fiction entries should be no more than 2,000 words.
Works published or entered elsewhere are accepted.
We accept works on any theme.
You may enter the Award as many times as you wish, although each work requires a fee and new submission form.

Enter here.

Competition Deadline: Best in Rural Writing Contest
2026-09-01
From the competition website:

Contest submissions may be previously published, and will also be read within 3-4 months of submitting with an eye towards publication on the site, as well as the forthcoming Best in Rural Writing print anthologies. (Note: shortlisting in the contest does not automatically secure a place in the anthology, unless selected as one of the two finalists. The work will be considered by future anthology committees, however). Go to our submit page for more details.
Although the contest and anthology are seperate initiatives, we recommend reading the anthology to get an idea of the type of work that typically gets recognized (and also because it supports The Milk House). You can order a copy here.
Submissions may be up to 7,000 words.

Enter here.

Call for Papers: Special Issue on William Faulkner in Journal of the Short Story in English
2026-10-30
JSSE 90 (Spring 2028)
Guest edited by:

Françoise Buisson,Université de Pau et des Pays de l’Adour
Solveig M. Dunkel, Université de Lille
Frédérique Spill, Université de Picardie Jules Verne, president of the William Faulkner Society.

Deadline for abstract submissions: 30 October 2026

Suggested Proposals
The purpose of this special issue of JSSE is thus to examine the challenges faced by Faulkner as a short story writer, especially—but not exclusively:

the status of the short story in Faulkner’s work and its reception
economic imperatives and consumerism
experimentation and short fiction as “a creative writing workshop”
Faulkner’s play with the traditional forms, conventions and contents of the genre: narrative technique, stylistic devices and strategies, punctuation and typography
Faulkner’s phenomenological writing, his writing of sensation
ellipsis and the unspeakable; condensation and proliferation
Faulkner’s use of different chronotopes and his handling of chronology
meta/short fiction and the mise en abyme of short story writing
the Southern Gothic
orality, cock-and-bull stories and tall tales, short fiction and humor, Frontier humor
the ecopoetic dimension in wilderness short stories
initiation in the short story and for the short story teller
childhood and children as story-tellers and/or characters
margins in the short story: the community and the individual; race and gender relations for example
queer Faulkner

Submission Deadline: Special Issue of Short Fiction in Theory & Practice | Writing Across Languages: Anglophone Short Stories by Multilingual Authors
2026-12-01
Special Issue | Writing Across Languages: Anglophone Short Stories by Multilingual Authors
Guest edited by Elsa Court (University of Oxford), Nina Ellis (The American University in Cairo), and Sonya Moor (Manchester Metropolitan University).
In ‘Hills Like White Elephants’ Ernest Hemingway uses a Spanish expression to insinuate the linguistic reality of a geographic location that is experienced only in passing. ‘Dos cervezas,’ says one of his two central characters, a man introduced as ‘the American,’ whom we understand is in a precarious relationship with a younger woman, also a native English speaker. For the duration of the five-page story, the couple sit at a table in the shade of a café while waiting for a train to Madrid, discussing the future of their relationship in coded terms. They continue ordering drinks presumably still in Spanish — but after the mention of ‘Dos cervezas’, this second language is presumed, rather than transcribed. The rest of the story — including further exchanges with the bar owner — is written entirely in English.
The literary fiction landscape has dramatically changed since the time when, as Hilary Mantel put it, a young writer was systematically advised to avoid using foreign language expressions in her prose, for fear of sounding ‘elitist’ to the Anglo-American reader. Moreover, the globalisation of Anglophone creative expression means that not all fiction written in English today is produced from imaginations that think only — or even primarily — in English, even when that is the primary language of their texts.
International, peer-reviewed Short Fiction in Theory and Practice (Intellect Books) is proud to invite original short-story submissions for a practice-based special issue to be published in September 2027, entitled ‘Writing Across Languages: Anglophone Short Stories by Multilingual Authors’. The issue will bring together inventive works of contemporary short fiction, written primarily in English, but also incorporating interplay with one or more other languages.
The editors invite submissions of up to 5,000 words that make use of at least one language other than English or find ways of gesturing towards other languages within their narratives.
There is no minimum word count.
Deadline for submissions: 1st December 2026.
Please visit the Short Fiction in Theory and Practice website for submission guidelines at: https://www.intellectbooks.com/short-fiction-in-theory-practice
For informal enquiries please contact Principal Editor Ailsa Cox (coxa@edgehill.ac.uk).
