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X-WR-CALDESC:Events for ENSFR
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DTSTART;TZID=Europe/Paris:20260601T170000
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DTSTAMP:20260520T005710
CREATED:20260519T105431Z
LAST-MODIFIED:20260519T105431Z
UID:3529-1780333200-1780340400@ensfr.univ-angers.fr
SUMMARY:Event: ENSFR reading group\, June meeting
DESCRIPTION:The next short fiction reading group meeting will take place (via Zoom) on Monday 1st June at 5pm (UK time). Below\, you can find information on how to join the online meeting room. I have attached an iCalendar file that you can add to your calendar. \nDuring the meeting\, we will be discussing Julie-Ann’s reading suggestion: the short story “Death by Landscape” by Margaret Atwood. You can access the short story from this link: \nhttps://223141929335512656.weebly.com/uploads/1/7/0/9/17093284/deathbylandscape_atwood.pdf \nOur conversation will focus on the following discussion points that Julie-Ann has selected: \n\nThe story opens in a domestic interior but moves to a landscape of ‘wilderness’. How are these two contrasting spaces integral to the story?\nIs there a power dynamic in the friendship between Lois and Lucy?\nWhat is significant about the presentation of the camp and the language Atwood uses?\nDoes this story fit the category of bildungsroman?\nHow does Atwood explore ideas of colonisation?\nIn the following quote bodily absence is made significant. How does this idea relate to the wider societal conceptualisation of the female body through art\, culture and mass media? How are female bodies represented elsewhere in the story?\n\n“But a dead person is a body; a body occupies space\, it exists somewhere. You can see it; you put it in a box and bury it in the ground\, and then it’s in a box in the ground. But Lucy is not in a box or in the ground. Because she is nowhere definite\, she could be any where.” \n\nStructurally the story moves from present to past to present\, using character memory to explicate the main story. How does ‘framing’ the past within the present impact ideas and meanings?\nThe story ends with a mystery? Is the reader invited to play detective?\n\nThose who are interested in exploring the work further might want to read Atwood’s collection Wilderness Tips which also features “Death by Landscape”. Many of the other short stories in the collection are worth reading in conjunction\, particularly “True Trash”. This is a recommendation by Julie-Ann. It is not mandatory to read further short stories for the meeting. \n— \nInes Gstrein is inviting you to a scheduled Zoom meeting. \nTopic:  Short Fiction Reading Group – June 2026 \nTime: Jun 1\, 2026 05:00 PM London \nJoin Zoom Meeting \nhttps://us06web.zoom.us/j/85116499205?pwd=hx6KiEeoOcdhPibo4Egw3770UQhger.1
URL:https://ensfr.univ-angers.fr/event/event-ensfr-reading-group-june-meeting/
LOCATION:Zoom
CATEGORIES:Event
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260602
DTEND;VALUE=DATE:20260603
DTSTAMP:20260520T005710
CREATED:20260428T122655Z
LAST-MODIFIED:20260428T122655Z
UID:3497-1780358400-1780444799@ensfr.univ-angers.fr
SUMMARY:Residency: Magnetic 5
DESCRIPTION:We are thrilled to continue our involvement in the Magnetic Residencies programme\, in partnership with Villa Arson\, Nice. The Magnetic 5 call for applications is open until Tuesday 2 June 2026. Cove Park welcomes applications from artists based in Provence-Alpes-Côte d’Azur. Scotland-based artists are welcome to apply to Villa Arson. The Magnetic Residencies programme offers a 2-month bespoke residency\, £2\,100 monthly fee\, accommodation and access to a workspace\, curatorial mentoring and international networking opportunities. \nMagnetic\, managed by Fluxus Arts Projects\, is a Franco-UK network bringing together five organisations from France and five from the UK to create a programme of funded residencies for visual artists based in both countries. \nTandem Capc\, Bordeaux\, Nouvelle-Aquitaine / Wysing Arts Centre\, Cambridge\, England:\nCapc residency is open to artists based in England\nWysing Arts Centre residency is open to artists based in Nouvelle-Aquitaine \nTandem Frac Grand Large\, Dunkirk\, Hauts-de-France / Flax Art Studios\, Belfast\, Northern Ireland:\nFrac Grand Large residency is open to artists based in Northern Ireland\nFlax Art Studios residency is open to artists based in Hauts-de-France \nTandem Villa Arson\, Nice\, Provence-Alpes-Côte d’Azur / Cove Park\, Argyll & Bute\, Scotland:\nVilla Arson residency is open to artists based in Scotland\nCove Park residency is open to artists based in Provence-Alpes-Côte d’Azur \nTandem Frac Bretagne\, Rennes / Aberystwyth Arts Centre\, Aberystwyth\, Wales:\nFrac Bretagne residency is open to artists based in Wales\nAberystwyth Arts Centre residency is open to artists based in Brittany \nTandem Bétonsalon – Centre for art and research\, Paris\, Île-de-France / Gasworks\, London\, England:\nBétonsalon – Centre for art and research residency is open to artists based in England\nGasworks residency is open to artists based in Île-de-France \nApplicants from England are invited to make one application only and can either apply to Capc\, Bordeaux or Bétonsalon – Centre for art and research\, Paris.
URL:https://ensfr.univ-angers.fr/event/residency-magnetic-5/
LOCATION:Cove Park
CATEGORIES:Residency
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260610
DTEND;VALUE=DATE:20260611
DTSTAMP:20260520T005710
CREATED:20251030T171547Z
LAST-MODIFIED:20251107T171154Z
UID:3054-1781049600-1781135999@ensfr.univ-angers.fr
SUMMARY:Call for Papers: "American Shorts"
DESCRIPTION:CFP: “American Shorts” University of Lisbon\, Portugal\, October 29-31\, 2026
URL:https://ensfr.univ-angers.fr/event/deadline-cfp-american-shorts/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260610
DTEND;VALUE=DATE:20260613
DTSTAMP:20260520T005710
CREATED:20251020T135239Z
LAST-MODIFIED:20260517T190548Z
UID:2996-1781049600-1781308799@ensfr.univ-angers.fr
SUMMARY:Conference: 8th Annual ENSFR Conference at the University of Artois
DESCRIPTION:  \nWe are excited to announce a Save The Date for the 8th Annual ENSFR Conference. The conference will be held at the University of Artois (Northern France) on the 10-12th of June 2026. The title of the conference is: “In Different Shapes: the short story and its modes of circulation in magazines and newspapers.” \nFollowing the ideas initiated at the Leuven conference in 2017 on the short story\, its contexts and co-texts\, the 2026 ENSFR conference will be devoted to short forms appearing in magazines and newspapers. \nThe conference will consider any story printed in such media but also stories that were solely published in magazines and newspapers (as opposed to stories that were later collected in book form)\, adapted into film or into longer works of fiction (as is often the case with The New Yorker). Panelists may also work on any short form to be found in magazines (commercials\, letters to the editor\, notes…) as well as illustrated stories—the illustrations providing yet another short story from to explore. \nCertain magazines target a specific audience\, and it could be stimulating to reflect upon writers’ ability to please (at least on the surface) literary editors. In the nineteenth century\, stories were often referred to as “articles\,” “tales” or “sketches”—how does this influence our understanding of the text? What are the differences between stories printed in magazines and those printed in newspapers? \nThe conference will give us an opportunity to discuss magazine publication with several authors and see how magazine and newspaper publication has evolved since its earliest forms.
URL:https://ensfr.univ-angers.fr/event/8th-annual-ensfr-conference-at-the-university-of-artois/
LOCATION:University of Artois\, Arras\, France
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261030
DTEND;VALUE=DATE:20261031
DTSTAMP:20260520T005710
CREATED:20260116T110010Z
LAST-MODIFIED:20260116T110010Z
UID:3262-1793318400-1793404799@ensfr.univ-angers.fr
SUMMARY:Call for Papers: Special Issue on William Faulkner in Journal of the Short Story in English
DESCRIPTION:JSSE 90 (Spring 2028) \nGuest edited by: \n\nFrançoise Buisson\,Université de Pau et des Pays de l’Adour\nSolveig M. Dunkel\, Université de Lille\nFrédérique Spill\, Université de Picardie Jules Verne\, president of the William Faulkner Society.\n\n\nDeadline for abstract submissions: 30 October 2026 \n\n\nSuggested Proposals\nThe purpose of this special issue of JSSE is thus to examine the challenges faced by Faulkner as a short story writer\, especially—but not exclusively: \n\nthe status of the short story in Faulkner’s work and its reception\neconomic imperatives and consumerism\nexperimentation and short fiction as “a creative writing workshop”\nFaulkner’s play with the traditional forms\, conventions and contents of the genre: narrative technique\, stylistic devices and strategies\, punctuation and typography\nFaulkner’s phenomenological writing\, his writing of sensation\nellipsis and the unspeakable; condensation and proliferation\nFaulkner’s use of different chronotopes and his handling of chronology\nmeta/short fiction and the mise en abyme of short story writing\nthe Southern Gothic\norality\, cock-and-bull stories and tall tales\, short fiction and humor\, Frontier humor\nthe ecopoetic dimension in wilderness short stories\ninitiation in the short story and for the short story teller\nchildhood and children as story-tellers and/or characters\nmargins in the short story: the community and the individual; race and gender relations for example\nqueer Faulkner
URL:https://ensfr.univ-angers.fr/event/call-for-papers-special-issue-on-william-faulkner-in-journal-of-the-short-story-in-english/
CATEGORIES:Call for Papers
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