Month: April 2016

Amanda Bigler (Loughborough University, UK)

Embracing Modes: How the children of this century have employed the online publisher.

Lisa Blower (independent scholar, UK)

Does the Short Story exist?

George Green (Lancaster University, UK)

Ingrid Cuypers (KU Leuven, Belgium)

Narration and Commemoration in the Story and the Film A Rose for Emily.

Esin Korkut (Middle East Technical University, Ankara, Turkey)

Updating the Past: Thomas Hardy’s Wessex Tales on Film.

Lukas Lammers (Friedrich‐Alexander-Universität Erlangen‐Nürnberg, Germany)

Minna Vuohelainen (Edge Hill University, UK)

Haunting a mean house in a dull street: Time and Technology in the ghost stories of Edith Wharton and Elizabeth Bowen.

Emma Liggins (Manchester Metropolitan University, UK)

Revealing as Concealing: The Flash of the Epiphany Moment in the Modernist Short Story.

Sophia Kier-Byfield (University of Aarhus, Denmark)

Anna Metcalfe (University of East Anglia, UK)

No time to be lost: Short stories as a compass in a changing world.

Philippa Holloway (Edge Hill University, UK)

With suspicious intent: Teaching the pleasures of Short Fiction.

Kerry Myler (Newman University, UK)

Karen D’Souza (Edge Hill University, UK)

Beyond Cinema: Daphne du Maurier’s Intermedial Experiments in her Short Stories.

Christine Reynier (Université Paul-Valéry Montpellier, France)

The Spiritual Automaton: Cinematic Precursors in Steven Millhauser’s Short Fiction.

Simon Stevenson (University Centre Doncaster, UK)

Elke D’hoker (University of Leuven, Belgium)

Curating Conclusions: Collaborative Twitter Fiction and the implied author.

Emma Segar (Edge Hill University, UK)

Short but not fleeting: Lydia Davis can teach us how to live (and tweet).

Julie Tanner (Independent scholar, UK)

Erika Fülöp (Lancaster University, UK)

Transcultural and Transmedial Stories and Identities in Short Story Cycles: Tom Cho’s Look Who’s Morphing and Ali Alizadeh’s Transactions.

Manuela Zehnter (University of Bonn, Germany)

Hemingway, Twitterature and the Places of Indeterminacy – Discussion of Problems of Interpretation and the Position of the Reader in the World of Flash Fiction.

Roksana Zgierska (University of Gdansk, Poland)

Bettina Jansen (TU Dresden, Germany)

Visionary Inner Spaces in J. G. Ballard’s Vermilion Sands.

C. Bruna Mancini (Università della Calabria, Italy)

Coherence and Counterpoint: Music in the Short Stories of James Joyce and Kazuo Ishiguro.

Thomas Gurke (Heinrich-Heine-University, Düsseldorf, Germany)

Mercedes Peñalba (University of Salamanca, Spain)

Intermedial synergy in Angela Carter’s short fiction.

Michelle Ryan-Sautour (Université d’Angers, France)

Generic Hybridisation in Janice Galloway’s “Scenes” from Blood (1991).

Jorge Sacido-Romero (University of Santiago de Compostela, Spain)

Micaela Maftei and Laura Tansley (University of Victoria, Canada and University of Glasgow, UK)

Narrative Brevity Across the Media: Rhetoric and Form.

Miłosz Wojtyna (University of Gdańsk, Poland)

Gerald Preher (Lille Catholic University, France)

Arriving, Settling, Moving on: Stories of Belonging and Displacement.

Eleonora Rao (University of Salerno, Italy)

The Construction of Gender in Hermione Lee’s Short Story Anthology The Secret Self.

Aleix Tura Vecino (University of Stirling, UK)

Dr Susan Poznar (Arkansas Tech University, USA)

Short Fiction and Theology: Foundational Myths and Marian Iconography in Michèle Roberts’s ‘Annunciation’.

Laura Lojo-Rodríguez (Universidade de Santiago de Compostela, Spain)